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Book Cover Design


Book Cover Pricing, Interior Book Design Pricing, & Book Layout Production Pricing

CUSTOM ESTIMATES
Please email for a free custom estimate. Your project will be reviewed and/or your manuscript will be examined in order to provide an accurate estimate of services and fees. We also write proposals for all our prospective clients once the estimate is accepted. This ensures you get what you expect. The proposal will detail editorial and creative direction and all the processes and services required to produce your book. Email Terry to get started.

Pricing Method for Design & Production

Design is consultation, conceptualization, uploading or mailing proofs, and then approval.

Production is the actual layout of the book and cover page by page.

Design and production is priced individually so you know exactly what you are being charged for.

Design Method

1. Understanding your desires for the appearance and concept of your book's cover and interior layout
2. refining that mutual understanding into a creative conceptual solution
3. creating the actual cover design and interior design template

Many designers charge clients a large fee for several concepts. One concept should be enough -- as long as it is the right one. That is why I spend extra time in steps 1 and 2 of the design process. To craft a design that is exactly what you want, establishing a mutual understanding of "the idea" is key.

Design Prices
Design involves conceptualizing the theme based on client desires, subject matter, industry trends, market trends, audience expectation, and competitor approaches. It includes market research, client consultation, format suggestions, image concepts, type suggstions, color suggestions, proofing processes, and template preparation. Two reasonable revisions to the concept are available. The design approach will be set forth in for your project in a Pneuma Books proposal.
Cover Design There are three levels

* $600 per simple concept
* $700 per complex concept
* $800+ per difficult


To include

* consultation & conceptualization
* type and color selection
* textures and imagery (if a specific photo image is desired, it might need to be set-up and photographed or purchased additionally)
* two reasonable revisions to the concept

Production Prices 

Production is the layout and prepress process. This includes flowing the edited, prepared, and tagged content into the designed template. It also includes coordinating the aspects of the job, client communication, piecing together the different elements on the page, proofing processes, preparing files for the printer, interfacing with the printer and shepherding the job through production. Per page production fees depend on the complexity of the content.

Cover Production Fees

Two types

* $300 for soft cover;  (3 panels @ $100 per panel)
* $500 for dustjacket.  (5 panels @ $100 per panel)


Project Consultation
Throughout the editing, design, or production your book, if you have questions regarding aspects of the publishing processes, I am happy to share my experience with you on matters of logistics, fulfillment, and some marketing, to help you have a successful project. Please understand that this is professional consultation. In order to keep our rates low, we must cap the amount of free guidance we offer so we can focus our labor on contracted services. As an incentive, we will provide you with one half-hour of free consultation on these matters throughout the project. Additional consultation can be given at our hourly rate of $100 per hour in 15 minute increments. We offer several free and low-cost consultation solutions to your questions on publishing issues. Please call for details or visit the website.

 

Free Info and Resources About Book Cover Design, Interior Book Design, Book Layout & Book Printing
""Typography is to literature as musical performance is to composition: an essential act of interpretation, full of endless opportunities for insight or obtuseness" -Robert Bringhurst from The Elements of Typographic Style
"Remember, the music is not in the piano." -Clement Mok, Clement Mok Designs
Why Pay for Design?
In this age of desktop computers and page layout software, what is the benefit of contracting a professional designer to produce the interior or cover of your book?
The answer has everything to do with your book's sales. A professionally designed book is far more persuasive in the marketplace. You may be the foremost authority in your field, and have written the best book available on the subject but if your book appears amateur or difficult to read (readability) your book will be passed over by many. We understand a self-publisher's need to cut costs; but, do-it-yourself-design is the number one mistake of many unfortunate self-publishers. In an attempt to save money, you can lose future earnings as well as the actual investment in time and money. An unattractive or "homemade" book does not sell well in commercial markets -- if it makes it to those markets at all. Many reviewers scoff at such a product andrefuse to review it. Distributors won't carry it if it is not commercial. And, retailers surely won't buy it. Don't risk your print and time investment -- let us design a commercial book for you.
We understand and appreciate the need to save money in production. That is why we have priced our book design and production services so affordably. It is our desire to make this professional service feasible for self-publishers.
Typography
As the quote above implies, professional design lends credibility to the subject matter and presents it in a way that is not only appealing and enjoyable but easily interpreted. Just as good typography and design enhance content, poor typography and design destroy its power. Distracting type, ugly or cheap clip art, and typesetting inconsistencies detract from the message of the writing. Levels of information (heads, subheads, bullets, numbers, etc.) can get confused if not formatted with consistency of style. A professional designer / typographer understands the process of translating information into appropriate typestyles and is skillful at dressing the content for performance. If you do not understand these theories and processes, please do not do the typesetting or book design yourself. A poorly designed or homemade book does the self-publishing world an injustice by perpetuating the idea that self-publishers are only capable of producing less-than-commercial quality books.
Book Design
Designers know the idiosyncrasies of book design -- standard sizes; acceptable gutters and margins; ink tolerance; treatment for elements such as footnotes, endnotes, sidebars, pull quotes, titling, bulleting, and features page counts and signatures; folios; and front and back matter. Book production is a craft requiring great skill. Why are there standards for these things? Because, as readers, we subconsciously expect books to appear a certain way -- a way that enables our brain to easily process the information we are looking at.

Yes, you could probably buy a book on book design and learn how to produce a book. But, trust me, it is a slow and painful process. And, if you are not good at it, you'll produce a disaster. You are gambling with the success of your book -- and that means sales dollars. Leave it to a professional while you concentrate your efforts on marketing your book.
Beware of Printers!
Many small printers who service self-publishing authors advertise "one-stop shopping" by offering "art and design services" at amazingly low prices in addition to printing. This is a marketing ploy to entice an author to use the print services. Usually, the printer has several "styles" to choose from for the book's interior and cover. Why on earth would any author want their book to look like other books? Obviously this method of design is not customized to a book's content. Printers print; designers design; in many cases, a printer has purchased page layout software and hired someone who knows how to use it. But very little "design" goes into the development of the book. This is especially critical when it comes to your book's cover. Most of the cover "styles" available are merely a typestyled title and a piece of clip art. In addition, these "styles" offer no marketing expertise pertaining to your subject. Good designers familiarize themselves with the content they are designing and employ their commercial know-how and marketing skills in conceptualizing and sculpting the product -- at least Pneuma Books does.
Your Cover
The cover of your book has only two to four seconds to make an impression on the buyer. The spine of your book has even less time. This is true for both catalogs and bookstore venues. Approximately 50,000 new titles are introduced every year. Need we say more about the validity of expert design on the cover of your book?
The PC Is Not a Typewriter
If you are still convinced you need to typeset your book yourself, then please purchase the fun and easy-to-read book, The PC Is Not a Typewriter: A Style Manual for Creating Professional- Level Type on Your PC, by Robin Williams (no, not "Garp") Actually, get it even if you aren't going to typeset your book yourself. It is mostly typography theory and valuable advice about word processing for the novice. This book covers the basics: don't double spacebar between sentences; don't underline things; use correct dashes and real quotation marks. $9.99 from Peachpit Press. (Note: the rules are different for web design because certain typographical characters are not accepted in HTML language. Please don't think we're violating our own rules -- indeed we are very much saddened by the fact we cannot correctly typeset our web pages!).
The Design & Production Process
We thought it prudent to explain the editing, design and production process to you. Additional information is also provided in the design pricing sections of this website.
Conceptualization
While your writing is being edited, Pneuma will conceptualize your design. We will review the content and select the appropriate structure, fonts, folios, feature or element treatment, etc. We will submit to you our idea for your approval. During this process we also consider printing. It is important to have a designer conceptualize the structure of your book because a book designer is familiar with the book printing process. Please see "The Printing Process" below for further explanation.
Templating


 

  After you have approved the design we will template it. This process ensures consistency throughout the book. We create a page layout template containing your design that is used over and over for each chapter. We also create a library of approved design elements, such as dingbats, icons, and boxes that are to be used throughout the design. We also create stylesheets that are used to format the levels of content, such as titles, heads, subheads, body, etc. These stylesheets assure you of proper formatting throughout the book. Which brings us to the next explanation.
StyleTaggingTM
In this kit we included a document, StyleTaggingTM Your Manuscript To Ensure Accurate Formatting in the Final Layout. This document outlines how to perform this very easy task at the manuscript level to assure your writing is formatted the way you intended.
Production
  After you have written your book, had it edited by Pneuma Books, and styletagged it, the electronic files will be flowed into the template sequentially by chapter. We will submit each chapter to you for your approval. We will not begin the next chapter until we have approval on the previous one because changes can affect the flow and page count, affecting the ensuing chapter flow.
Cover
As we design and produce the interior we will conceptualize the cover. This is usually complete midway into interior production. You'll be able to send out advance fact sheets and announcements with the mock cover printed on them.
Associated Material Included in this Kit
* StyleTaggingTM Your Manuscript To Ensure Accurate Formatting in the Final Layout; courtesy of Pneuma Books
* Typography & Design Terms courtesy of PneumaGraphics
* General Rules for Word Processing;
  The Printing Process 
There are many different types of printing. Book printing is a very specific type of printing. But there are also different types of book printing! Finding the right printer for your book can be a harrowing experience for the novice. At Pneuma, part of the Design Fee includes finding the right printer for your book, getting a quote (which is also very time consuming), and coordinating the actual printing.
  Designing Your Book for Print
The first rule is: work backwards. Normally, this is silly. But because book printing is very particular, it can be costly if you design a book that conflicts with prepress or press capability. Unless you understand book printing, you should let a designer or print buyer coordinate the printing for you. Book printing is specific with regard to sizes, page count, inks, photos, prepress, etc.Of course, you could spend a lot of time receiving an education about print from printers and salesmen and design a book that is printable. But wouldn't you just rather tell us what you want and let us deliver the best creative printable solution for you? An excellent little book on the subject is The Pocket Pal: A Graphic Arts Handbook, published by International Paper; available from the publisher. This book covers every technical aspect of the industry.
Standard Book Sizes for Trade
The following book sizes will cut your printing costs dramatically. Printers buy paper in bulk at certain sizes. Page size is contingent on the most economical fit for the paper that can also be accommodated on press. You can print a size different from those listed but it will cost extra for prepress and press adjustments. These sizes are categorized according to their most common markets.
* 4 1/4" x 7" Mass Market
* 5 1/2" x 8 1/2" Tradebook, Handbook or Fiction
* 6" x 9"  Handbook, Tradebook, or Fiction
* 7" x 9"  Manual, Textbook
* 7 1/2" x 9" Giftbook, Art Book, Manual
* 8 1/2" x 11" Manual, Textbook
* 9" x 12" + Coffee Table Book
  Prepress
The printing process works like this: your pages are photographed and "impositioned" or placed into a signature configuration. The negative, or film, of that signature is transferred to photosensitive paper, called bluelines, which are used to give you a dummy of your book for final approval. The cover is also color-separated and recomposited as a proof for your approval. After your signoff, the signature and cover film are transferred to metal printing plates. This whole process is termed Prepress and Makeready.Your pages are photographed from sharp laser printouts or they are processed digitally direct to film or sometimes plates. If you have many photos and special elements that require hi-resolution, you may want to have them scanned by a drum scanner and placed into the film at the prepress stage. Usually you can include them in your page layout software if you have powerful equipment, the right software, and the know-how. The prepress process can get complicated. You don't want to make mistakes in preparing your files, because at this stage, corrections are extremely expensive. If you are producing a complicated layout, it is better to have an experienced professional production artist do it for you to ensure it is done correctly. If you do it yourself, ensure you provide all hi-res, corrected linked files and postscript fonts. True Type fonts are a no-no. 
Signatures
If you take a piece of paper and fold it into eighths, then cut off the top, right, and bottom folded sides, leaving the left outer fold, you have a signature. A signature is a large piece of film or paper that accommodates individual pages and, when folded, orders the pages sequentially. Depending on the size of the paper, signatures accommodate 4, 8, 16, 32, and sometimes 64 pages. Once printed, they are folded and gathered, bound and glued, trimmed, and voila, you have a book. Why am I telling you this? Well, your book's page count must be divisible by 16 to be printed economically. A designer knows this and plans for it in the production of the book.
Presses
You don't really need to know anything about presses except that there is a type of cheap printing for mass market books (like dimestore novels) that is called a Cameron Belt Press. Unless that is the type of book you are doing, don't have your book printed this way. The other two types of presses are web presses and sheet-fed presses. Your designer will select the best press for the job. The Pocket Pal details press information if you need to understand how they work.
P.O.D. (Print on Demand)
While we are talking of printing, there is another type of printing that is ideal for very short runs (25-500). It is digital printing. Basically, it is high-end copying. A digital file from a page layout program goes to a high-speed copier. The book is then bound by the machine by mechanical binding. Some shops offer perfect binding. It is very economical and wise if your are unsure of your marketing plans to move your book. Please call and consult us about this option.
Binding
After your book is printed it is finished -- covered, bound, wrapped, and packed. There are a number of choices to make in these areas. You have several bindery options.
Perfect Bound
This is the most popular. The edges are roughed and a hot glue strip is applied. Then the cover is added. Perfect bound books lie flat. Perfect binding is economical.
Case Binding
This is hardback. Case binding is expensive and a more intricate process than other binding. It is appropriate for presentation copies and assured bestsellers. Many authors choose to case bind a few hundred copies.
Mechanical Binding
This is primarily used for short run Docu-Teching, or P.O.D (Print-On-Demand). It is basically spiral binding or rivet binding. It is acceptable for the officeplace but not the commercial book market.
Finishing
Finishing is the catch-all process of book printing. It is lamination of your cover; embossing, foil stamping, and spot varnishing your cover; tipping in sheets or signatures to the book; shrink-wrapping; packing and stacking; and shipping or warehousing. Obviously, some of these options are related to the design of your book and cover and some are related to your decisions about distribution and fulfillment. The one thing you do want is film lamination of your cover. This protects your book from scuffing during shipping. Also, we recommend shrink wrapping in groups of 5 or ten to reduce the movement of the books during shipping. This protect the covers and enables you to protect surplus books in an opened box. It also helps you control your inventory.